A 180° panorama of ant aurora display behind grain bins on a country road in Alberta, Canada. Credit and copyright: Alan Dyer/Amazing Sky Photography.
Since I grew up on a farm, I know how lovely the night sky can be when you’re out in the country. But this new image from Alan Dyer is just astounding!
This 180-degree panorama shows an aurora display behind grain bins on a country road in Alberta, Canada. “The aurora adds more color to a sky also filled with green airglow,” Alan wrote on Flickr, “while at the ends of the roads are yellow glows of light pollution, from Strathmore and Calgary at left, and Bassano at right. For a few minutes there was also the sharp edge at left to the aurora rays, present in 3 frames of the panorama, so it is not an artifact of the stitching. The Big Dipper is left of centre, low in the north.”
Just gorgeous. Plus, it reminds me of home…
You can click on the image above to see larger versions.
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A group of amateur photographers set up on a beach on Lake Superior near Duluth to photograph the northern lights. To shoot the aurora you'll need a tripod and middle to high end digital camera. Pocket cameras work well in daylight and can be used to shoot bright northern lights, but the images will be noisy. Credit: Bob King
Everybody loves pictures of the northern lights! If you’ve never tried to shoot the aurora yourself but always wanted to, here are a few tips to get you started.
“T” stands for a terrific aurora seen last winter near Duluth, Minn. U.S. Photo taken with a high-end digital camera (Canon EOS 1-D Mark III) at ISO 800, 30-second exposure. Credit: Bob King
The strong G3 geomagnetic storm expected tonight should kick out a reasonably bright display, perfect for budding astrophotographers. Assuming the forecasters are correct, you’ll need a few things. A location with a nice open view to the north is a good start. The aurora has several different active zones. There are bright, greenish arcs, which loll about the northern horizon, parallel rays midway up in the northern sky and towering rays and diffuse aurora that can surge past the zenith. Often the aurora hovers low and remains covered by trees or buildings, so find a road or field with good exposure.
15-second time exposure of Vega rising taken with a typical digital pocket camera. Notice the grain or noise throughout. Credit: Bob King
Second, a tripod. You can do so much with this three-legged beast. No better astro tool in the universe. Even the brightest auroras will require a time exposure of at least 5 seconds. Since no human can be expected to hold a camera steady that long, a tripod is a necessity. After that, it comes down to a camera. Most “point-and-shoot” models have limited time exposure ability, often just 15 seconds. That may be long enough for brighter auroras, but to compensate, you’ll have to increase your camera’s sensitivity to light by increasing the “speed” or ISO. The higher you push the ISO, the grainier the images appear especially with smaller cameras. But you’ll be able to get an image, and that may be satisfaction enough.
I use a Canon EOS-1 Mark III camera to shoot day and night. While not the latest model, it does a nice job on auroras. The 16-35mm zoom wide-angle lens is my workhorse as the aurora often covers a substantial amount of sky. My usual routine is to monitor the sky. If I see aurora padding across the sky, I toss the my equipment in the car and drive out to one of several sites with a clear exposure to the north. Once the camera meets tripod, here’s what to do:
A bright, active aurora. I used my zoom lens at 16mm at f/2.8 and about a 15-second exposure at ISO 800. Credit: Bob King
* Focus: Put the camera in manual mode and make sure my focus is set to infinity. Focusing is critical or the stars will look like blobs and the aurora green mush. There are a couple options. Use autofocus on a cloud or clouds in the daytime or the moon at night. Both are at “infinity” in the camera’s eye. Once focused at infinity, set the camera to manual and leave it there the rest of the evening to shoot the aurora. OR … note where the little infinity symbol (sideways 8) is on your lens barrel and mark it with a thin sharpie so you can return to it anytime. You can also use your camera in Live View mode, the default viewing option for most point-and-shoot cameras where you compose and frame live. Higher-end cameras use a viewfinder but have a Live View option in their menus. Once in Live View, manually focus on a bright star using the back of the camera. On higher-end cameras you can magnify the view by pressing on the “plus” sign. This allows for more precision focus.
* Aperture: Set the lens to its widest open setting, which for my camera is f/2.8. The lower the f-stop number, the more light allowed in and the shorter the exposure. Like having really big pupils! You want to expose the aurora in as short a time as possible because it moves. Longer exposures soften its appearance and blur exciting details like the crispness of the rays.
A friend takes a night sky shot silhouetted against the glow of the northern lights. Credit: Bob King
* ISO speed: Set the ISO to 800 for brighter auroras or 1600 for fainter ones and set the time to 30-seconds. If the aurora is bright and moving quickly, I’ll decrease exposure times to 10-15 seconds. The current crop of high end cameras now have the capacity to shoot at ISOs of 25,000. While those speeds may not give the smoothest images, dialing back to ISO 3200 and 6400 will make for photos that look like they were shot at ISO 400 on older generation cameras. A bright aurora at ISO 3200 can be captured in 5 seconds or less.
* Framing: Compose the scene in the viewfinder or monitor. If you’re lucky or plan well, you can include something interesting in the foreground like a building, a picturesque tree or lake reflection.
* Press!: OK, ready? Now press the button. When the image pops up on the viewing screen, does the image seem faint, too bright or just right. Make exposure adjustments as needed. If you need to expose beyond the typical maximum of 30 seconds, you can hold the shutter button down manually or purchase a cable release to hold it down for you.
Great example of a well-composed photo with an interesting foreground choice. This intense aurora was shot on September 12, 2014 in central Maine. Credit: Mike Taylor
It’s easy, right? Well then, why did it take me 400 words to explain it??? Of course the magic happens when you look at the monitor. You’ll see these fantastic colorful forms and ask yourself “did I do that?”
A bright arc and pink-topped rays stipple the northern sky and cross the Bowl of the Big Dipper last night around 11:30 p.m. CDT over Caribou Lake north of Duluth, Minn. Credit: Guy Sander
(Scroll down for latest update)
Auroras showed up as forecast last night beginning around nightfall and lasting until about 1 a.m. CDT this morning. Then the action stopped. At peak, the Kp indexdinged the bell at “5” (minor geogmagnetic storm) for about 6 hours as the incoming shock from the arrival of the solar blast rattled Earth’s magnetosphere. It wasn’t a particularly bright aurora and had to compete with moonlight, so many of you may not have seen it. You needn’t worry. A much stronger G3 geomagnetic storm from the second Earth-directed coronal mass ejection (CME) remains in the forecast for tonight.
Plot showing the Kp index of magnetic activity high in the Earth’s magnetic domain called the magnetosphere. The two red bars show the Kp at ‘5’ last night and early this morning (dotted line represents 0 UT or 7 p.m. CDT). Inset is the current detailed forecast in Universal Time (Greenwich Time) in 3-hour increments. Credit: NOAA
Activity should begin right at nightfall and peak between 10 p.m. and 1 a.m. Central Daylight Time. The best place to observe the show is from a location well away from city lights with a good view of the northern sky. Auroras are notoriously fickle, but if the NOAA space forecasting crew is on the money, flickering lights should be visible as far south as Illinois and Kansas. The storm also has the potential to heat and expand the outer limits of Earth’s atmosphere enough to cause additional drag on low-Earth-orbiting (LEO) satellites. High-frequency radio transmissions like shortwave radio may be reduced to static particularly on paths crossing through the polar regions.
Earth’s magnetic bubble, generated by motions within its iron-nickel core and shaped by the solar wind, is called the magnetosphere. It extends some 40,000 miles forward of the planet and more than 3.9 million miles in the tailward direction. Most of the time it sheds particle blasts from the sun called coronal mass ejections, but occasionally one makes it past our defenses and we get an auroral treat. Credit: NASA
If you study the inset box in the illustration above, you can see that from 21-00UT (4 -7 p.m. Central time) the index jumps quickly form “3” to “6” as the blast from that second, stronger X-class flare (September 10) slams into our magnetosphere. Assuming the magnetic field it carries points southward, it should link into our planet’s northward-pointing field and wreak beautiful havoc. A G2 storm continues through 10 p.m. and then elevates to Kp 7 or G3 storm between 10 p.m. and 1 a.m. before subsiding slightly in the wee hours before dawn. The Kp index measures how disturbed Earth’s magnetic field is on a 9-point scale and is compiled every 3 hours by a network of magnetic observatories on the planet.
A lovely rayed arc reflected in Caribou Lake north of Duluth, Minn. on September 11, 2014. Tonight the moon rises around 9:30 p.m. The lower in the sky it is, the brighter the aurora will appear. Hopefully tonight’s lights will outdo what the moon can dish out. Credit: Guy Sander
All the numbers are lined up. Now, will the weather and solar wind cooperate? Stop back this evening as I’ll be updating with news as the storm happens. For tips on taking pictures of the aurora, please see this related story “How to Take Great Pictures of the Northern Lights”.
The auroral oval at 11:15 p.m. CDT tonight September 12 shows a temporary pullback into northern Canada. Where the sky is dark, auroras are typically seen anywhere under or along the edge of the oval. Click for current map. Credit: NOAA
* UPDATE 8:15 a.m. Saturday September 13: Well, well, well. Yes, the effects of the solar blast did arrive and we did experience a G3 storm, only the best part happened before nightfall had settled over the U.S. and southern Canada. The peak was also fairly brief. All those arriving protons and electrons connected for a time with Earth’s magnetic field but then disconnected, leaving us with a weak storm for much of the rest of the night. More activity is expected tonight, but the forecast calls for a lesser G1 level geomagnetic storm.
* UPDATE 11 p.m. CDT: After a big surge late this afternoon and early evening, activity has temporarily dropped off. The ACE plot has “gone north” (see below). Though we’re in a lull, the latest NOAA forecast still calls for strong storms overnight.
Definite aurora seen through breaks in the clouds low in the northern sky here in Duluth, Minn. After a big surge late this afternoon and during early evening, activity’s temporarily dropped off. The ACE plot has “gone north”.
* UPDATE 9 p.m. CDT: Aurora a bright greenish glow low in the northern sky from Duluth, Minn.
* UPDATE 7:45 p.m. CDT September 12: Wow! Kp=7 (G3 storm) at the moment. Auroras should be visible now over the far eastern seaboard of Canada including New Brunswick and the Gaspe Peninsula. I suspect that skywatchers in Maine and upstate New York should be seeing something as well. Still dusk here in the Midwest.
A low arc, glowing green from excited oxygen, spans the northern sky around 10:30 p.m Central Daylight Time from Duluth, Minn. The Big Dipper is off to the left. Credit: Bob King
Talk of aurora is in the air. Our earlier storytoday by Elizabeth Howell alerted you to the possibility of northern lights. Well, it’s showtime! As of 9:30 p.m. Central Daylight Time, the aurora has been active low in the northern sky.
Subtle pink rays stand above the green arc at 9:35 p.m. CDT. Credit: Bob King
From Duluth, Minn. U.S., a classic green arc low in the northern sky competed with the light of the rising gibbous moon. Once my eyes were dark-adapted, faint parallel rays stood streaked the sky above the arc. NOAA space weather forecasters expect this storm to peak between 1 a.m. CDT and sunrise Friday morning September 12 at a G2or moderate level. Skywatchers across the northern tier of states and southern Canada should see activity across the northern sky. Moonlight will compromise the show, but it rises later each night and dims through the weekend.
The approximate extent of the auroral oval forecast for 11:30 p.m. CDT from Ovation. Credit: NOAA
This is only the start. Things really kick into gear Friday night and Saturday morning when a G3 strong geomagnetic storm is expected from the more direct blast sent our way by the September 10 X1.6 flare. Auroras might be visible as far south as Illinois and Kansas.
We’ll keep you in touch with storm activity by posting regular updates over the next couple days. Including odd hours. Here are some links to check during the night as you wait for the aurora to put in an appearance at your house:
* Ovation oval – shows the approximate extent of the auroral oval that looks like a cap centered on Earth’s geomagnetic pole. During storms, the oval extends south into the northern U.S. and farther.
* Kp index – indicator of magnetic activity high overhead and updated every three hours. A Kp index of “5” means the onset of a minor storm; a Kp of “6”, a moderate storm.
* NOAA space weather forecast
* Advanced Composition Explorer (ACE) satellite plots – The magnetic field direction of the arriving wind from the sun. The topmost graph, plotting Bz, is your friend. When the curve drops into the negative zone that’s good! A prolonged stay at -10 or lower increases the chance of seeing the aurora. Negative numbers indicate a south-pointing magnetic field, which has a greater chance of linking into Earth’s northward-pointing field and wriggling its way past our magnetic defenses and sparking auroras.
A solar blast erupts in this picture captured by the Solar and Heliospheric Observatory on Sept. 10, 2014. Credit: ESA / NASA / SOHO
Bim, bam, smash! The Sun hurled two clouds of particles in our general direction, putting space weather watchers on alert. There’s now a high chance of auroras on Sept. 12 (Friday), according to the National Oceanic and Atmospheric Administration, with more activity possible during the weekend.
The coronal mass ejections erupted Sept. 9 and Sept. 10 from sunspot AR2158. The Sept. 10 flare packed the strongest class punch the sun has, an X-flare, which briefly caused HF radio blackouts on Earth. We have some amateur shots of the sunspot and Sun below.
“Radio emissions from shock waves at the leading edge of the CME suggest that the cloud tore through the sun’s atmosphere at speeds as high as 3,750 km/s [2,330 miles per second],” wrote SpaceWeather.com. “That would make this a very fast moving storm, and likely to reach Earth before the weekend. Auroras are definitely in the offing.”
Photographer John Chumack captured the Sun and AR2158 in these pictures from Monday (Sept. 8). If you’ve got some great Sun shots to share, be sure to put it on our Universe Today Flickr group!
Sunspot AR2158 taken on Sept. 8, 2014. Credit: John ChumackThe Sun on Sept. 8, 2014, including active sunspots. Credit: John Chumack
When we see an auroral arc - and associated rays - we really seeing a small section of the much larger, permanent aurora called the auroral oval. The northern oval is centered over the geomagnetic north pole located in northern Canada. Credit: NASA
Or perhaps I should say “eine grosse Aurora!” ESA astronaut Alexander Gerst made this time-lapse of a “massive aurora” as seen from the Space Station on August 24. The entire video is beautiful, showing not just a view of the ghostly green aurora but also plenty of stars, airglow, the graceful rotation of the ISS’ solar arrays, and finally the blooming light of dawn – one of sixteen the crew of the Station get to witness every day.
Then again, I’m now wondering: what is the mass of an aurora? Hmm…
The Aurora Borealis seen from the International Space Station on June 28, 2014, taken by astronaut Reid Wiseman. Credit: Reid Wiseman/NASA.
Here’s the latest Vine video from astronaut Reid Wiseman on board the International Space Station, showing the Aurora Borealis shimmering in the sky as the stars of Orion rise in the sky. Modules of the ISS smoothly move through the top portion of the video.
In viewing the aurora from space earlier, Wiseman said, “It felt like I could reach out and touch it…moving like a snake through the sky.
Airglow shows as wavy stripes of pale green across the northeastern sky on May 24, 2014. Andromeda Galaxy at left. the banding was faintly visible with the naked eye as a soft, diffuse glow. The red glow at lower left is airglow from atomic oxygen 90-185 miles up. Details: 20mm lens, ISO 3200, 30". Credit: Bob King
Emerald green, fainter than the zodiacal light and visible on dark nights everywhere on Earth, airglow pervades the night sky from equator to pole. Airglow turns up in our time exposure photographs of the night sky as ghostly ripples of aurora-like light about 10-15 degrees above the horizon. Its similarity to the aurora is no coincidence. Both form at around the same altitude of 60-65 miles (100 km) and involve excitation of atoms and molecules, in particular oxygen. But different mechanisms tease them to glow.
Earth at night from the International Space Station showing bright splashes of city lights and the airglow layer created by light-emitting oxygen atoms some 60 miles high in the atmosphere. This green cocoon of light is familiar to anyone who’s looked at photos of Earth’s night-side from orbit. Credit: NASA
Auroras get their spark from high-speed electrons and protons in the solar wind that bombard oxygen and nitrogen atoms and molecules. As excited electrons within those atoms return to their rest states, they emit photons of green and red light that create shimmering, colorful curtains of northern lights.
Green light from excited oxygen atoms dominates the light of airglow. The atoms are 56-62 miles high in the thermosphere. The weaker red light is from oxygen atoms further up. Sodium atoms, hydroxyl radicals (OH) and molecular oxygen add their own complement to the light. Credit: Les Cowley
Airglow’s subtle radiance arises from excitation of a different kind. Ultraviolet light from the daytime sun ionizes or knocks electrons off of oxygen and nitrogen atoms and molecules; at night the electrons recombine with their host atoms, releasing energy as light of different colors including green, red, yellow and blue. The brightest emission, the one responsible for creating the green streaks and bands visible from the ground and orbit, stems from excited oxygen atoms beaming light at 557.7 nanometers, smack in the middle of the yellow-green parcel of spectrum where our eyes are most sensitive.
Airglow across the eastern sky below the summertime Milky Way. Notice that unlike the vertical rays and gently curving arcs of the aurora, airglow is banded, streaky and in places almost fibrous. It’s brightest and best visible 10-15 degrees high along a line of sight through the thicker atmosphere. If you look lower, its feeble light is absorbed by denser air and dust. Looking higher, the light spreads out over a greater area and appears dimmer. Credit: Bob KingA large, faint patch of airglow below the Dippers photographed May 24. To the eye, airglow appears as colorless streaks and patches. Unlike the aurora, it’s typically too faint to excite our color vision. Time exposures show its colors well. This swatch is especially faint because it’s much higher above the horizon. Credit: Bob King
That’s not saying airglow is easy to see! For years I suspected streaks of what I thought were high clouds from my dark sky observing site even when maps and forecasts indicated pristine skies. Photography finally taught me to trust my eyes. I started noticing green streaks near the horizon in long-exposure astrophotos. At first I brushed it off as camera noise. Then I noticed how the ghostly stuff would slowly shape-shift over minutes and hours and from night to night. Gravity waves created by jet stream shear, wind flowing over mountain ranges and even thunderstorms in the lower atmosphere propagate up to the thermosphere to fashion airglow’s ever-changing contours.
An obvious airglow smear across Virgo last month. Mars is the bright object below and right of center. Light pollution from Duluth, Minn. creeps in at lower left. Credit: Bob King
Last month, on a particularly dark night, I made a dedicated sweep of the sky after my eyes had fully adapted to the darkness. A large swath of airglow spread south of the Big and Little Dipper. To the east, Pegasus and Andromeda harbored hazy spots of varying intensity, while brilliant Mars beamed through a long smear in Virgo.
To prove what I saw was real, I made the photos you see in this article and found they exactly matched my visual sightings. Except for color. Airglow is typically too faint to fire up the cone cells in our retinas responsible for color vision. The vague streaks and patches were best seen by moving your head around to pick out the contrast between them and the darker, airglow-free sky. No matter what part of the sky I looked, airglow poked its tenuous head. Indeed, if you were to travel anywhere on Earth, airglow would be your constant companion on dark nights, unlike the aurora which keeps to the polar regions. Warning – once you start seeing it, you
Excited oxygen at higher altitude creates a layer of faint red airglow. Sodium excitation forms the yellow layer at 57 miles up. Airglow is brightest during daylight hours but invisible against the sunlight sky. Credit: NASA with annotations by Alex Rivest
Airglow comes in different colors – let’s take a closer look at what causes them:
* Red – I’ve never seen it, but long-exposure photos often reveal red/pink mingled with the more common green. Excited oxygen atoms much higher up at 90-185 miles (150-300 km) radiating light at a different energy state are responsible. Excited -OH (hydroxyl) radicals give off deep red light in a process called chemoluminescencewhen they react with oxygen and nitrogen. Another chemoluminescent reaction takes place when oxygen and nitrogen molecules are busted apart by ultraviolet light high in the atmosphere and recombine to form nitric oxide (NO).
* Yellow – From sodium atoms around 57 miles (92 km) high. Sodium arrives from the breakup and vaporization of minerals in meteoroids as they burn up in the atmosphere as meteors.
* Blue – Weak emission from excited oxygen molecules approximately 59 miles (95 km) high.
Comet Lovejoy passing behind green oxygen and sodium airglow layers on December 22, 2011 seen from the space station. Credit: NASA/Dan Burbank
Airglow varies time of day and night and season, reaching peak brightness about 10 degrees, where our line of sight passes through more air compared to the zenith where the light reaches minimum brightness. Since airglow is brightest around the time of solar maximum (about now), now is an ideal time to watch for it. Even cosmic rays striking molecules in the upper atmosphere make a contribution.
See lots of airglow and aurora from orbit in this video made using images taken from the space station.
If you removed the stars, the band of the Milky Way and the zodiacal light, airglow would still provide enough illumination to see your hand in front of your face at night. Through recombination and chemoluminescence, atoms and molecules creates an astounding array of colored light phenomena. We can’t escape the sun even on the darkest of nights.
Aurorae were once believed to be warring clans of spirit soldiers, the skyward ghosts of virgin women, or the glow of fires burning inside celestial caves. Today we know they’re caused by ions in the atmosphere getting zapped by charged solar particles caught up in Earth’s magnetic field. But the knowledge of what creates aurorae doesn’t make their shimmering dance any less beautiful for those lucky enough to see them. I’ve personally never witnessed an aurora, but photographer Ole Salomonsen has — and he’s created yet another gorgeous time-lapse of the northern lights over his native Scandinavia to share their beauty with the world.
An allsky photo of the aurora in February, 2014 as seen from Östersund, Sweden. Credit and copyright: Göran Strand.
Two great music videos published this week feature incredible imagery from space. Above, Pink Floyd released an 20th anniversary video version of their instrumental “Marooned” which uses timelapse video photography taken by astronauts on the International Space Station (which we’ve featured many times, like here and here). For you Pink Floyd-aphiles, the anniversary edition of ‘The Division Bell‘ will be released on June 30th — including a double vinyl edition!
Below, a new video from Coldplay and their song “Sky Full of Stars” uses aurora imagery taken by Swedish astrophotopher Göran Strand, whose work we post frequently:
This version of a “A Sky Full of Stars” was used in the NBC special Coldplay: Ghost Stories. Göran recorded the aurora over Östersund on March 17, 2013. He photographed the aurora for 4 hours and then put all the images together to a movie showing the development of the aurora across the entire sky. See his original aurora video below.
