During late summer in the Southern hemisphere on Mars, the angle of the sunlight as it strikes the surface brings out some subtle details on the planet’s surface.
In this image, the HiRISE camera on board NASA’s Mars Reconnaissance Orbiter (MRO) captured an area of frozen carbon dioxide on the surface. Some of the carbon dioxide ice has melted, giving it a swiss-cheese appearance. But there is also an unusual hole or crater on the right side of the image, with some of the carbon dioxide ice clearly visible in the bottom of the pit.
NASA scientists are uncertain what exactly caused the unusual pit. It could be an impact crater, or it could be a collapsed pit caused by melting or sublimation of sub-surface carbon dioxide ice.
MRO has been in orbit around Mars for over 10 years, and has completed over 50,000 orbits. The MRO has two cameras. The CTX camera is lower resolution, and has imaged over 99% of the Martian surface. HiRISE is the high-resolution camera that is used to closely examine areas and objects of interest, like the unusual surface pit in this image.
We’ve posted several ‘flyover’ videos of Mars that use data from spacecraft. But this video might be the most spectacular and realistic. Created by filmmaker Jan Fröjdman from Finland, “A Fictive Flight Above Real Mars” uses actual data from the venerable HiRISE camera on board the Mars Reconnaissance Orbiter, and takes you on a 3-D tour over steep cliffs, high buttes, amazing craters, polygons and other remarkable land forms. But Fröjdman also adds a few features reminiscent of the landing videos taken by the Apollo astronauts. Complete with crosshatches and thruster firings, this video puts you on final approach to land on (and then take off from) Mars’ surface.
(Hit ‘fullscreen’ for the best viewing)
To create the video, Fröjdman used 3-D anaglyph images from HiRISE (High Resolution Science Imaging Experiment), which contain information about the topography of Mars surface and then processed the images into panning video clips.
Fröjdman told Universe Today he worked on this video for about three months.
“The most time consuming was to manually pick the more than 33,000 reference points in the anaglyph images,” he said via email. “Now when I count how many steps there were in total in the process, I come to seven and I needed at least 6 different kinds of software.”
Fröjdman, a landscape photographer and audiovisual expert, said he wanted to create a video that gives you the feeling “that you are flying above Mars looking down watching interesting locations on the planet,” he wrote on Vimeo. “And there are really great places on Mars! I would love to see images taken by a landscape photographer on Mars, especially from the polar regions. But I’m afraid I won’t see that kind of images during my lifetime.”
Between HiRISE and the Curiosity rover images, we have the next best thing to a human on Mars. But maybe one day…
For a supposedly dead world, Mars sure provides a lot of eye candy. The High Resolution Imaging Science Experiment (HiRise) aboard NASA’s Mars Reconnaissance Orbiter (MRO) is our candy store for stunning images of Mars. Recently, HiRise gave us this stunning image (above) of colorful, layered bedrock on the surface of Mars. Notice the dunes in the center. The colors are enhanced, which makes the images more useful scientifically, but it’s still amazing.
HiRise has done it before, of course. It’s keen vision has fed us a steady stream of downright jaw-dropping images of Elon Musk’s favorite planet. Check out this image of Gale Crater taken by HiRise to celebrate its 10 year anniversary orbiting Mars. This image was captured in March 2016.
The MRO is approaching its 11 year anniversary around Mars. It has completed over 45,000 orbits and has taken over 216,000 images. The next image is of a fresh impact crater on the Martian surface that struck the planet sometime between July 2010 and May 2012. The impact was in a dusty area, and in this color-enhanced image the fresh crater looks blue because the impact removed the red dust.
These landforms on the surface of Mars are still a bit of a mystery. It’s possible that they formed in the presence of an ancient Martian ocean, or perhaps glaciers. Whatever the case, they are mesmerizing to look at.
Many images of the Martian surface have confounded scientists, and some of them still do. But some, though they look puzzling and difficult to explain, have more prosaic explanations. The image below is a large area of intersecting sand dunes.
The surface of Mars is peppered with craters, and HiRise has imaged many of them. This double crater was caused by a meteorite that split in two before hitting the surface.
The image below shows gullies and dunes at the Russell Crater. In this image, the field of dunes is about 30 km long. This image was taken during the southern winter, when the carbon dioxide is frozen. You can see the frozen CO2 as white on the shaded side of the ridges. Scientists think that the gullies are formed when the CO2 melts in the summer.
The next image is also the Russell Crater. It’s an area of study for the HiRise team, which means more Russell eye candy for us. This images shows the dunes, CO2 frost, and dust devil tracks that punctuate the area.
One of the main geological features on Mars is the Valles Marineris, the massive canyon system that dwarfs the Grand Canyon here on Earth. HiRise captured this image of delicate dune features inside Valles Marineris.
The Mars Reconnaissance Orbiter is still going strong. In fact, it continues to act as a communications relay for surface rovers. The HiRise camera is along for the ride, and if the past is any indication, it will continue to provide astounding images of Mars.
Researcher Dr. Mary Bourke from Trinity College Dublin have discovered a patch of land in an ancient valley in Mars’ Lucaya Crater that appears to have held water in the not-too-distant past, making it a prime target to search for past life forms on the Red Planet. Signs of water past and present pop up everywhere on Mars from now-dry, wriggly riverbeds snaking across arid plains to water ice exposed at the poles during the Martian summer.
On Earth, Bourke had done previous studies of dunes in the Namib Desert near Walvis Bay, Namibia and noted “arctuate striations” — crusty arcs of sand cemented by water and minerals — on the surfaces of migrating sand dunes using photos taken by satellite. She subsequently assembled a team to check them out on the ground and discovered that the striations resulted when dune materials had been chemically cemented by salts left behind by evaporating groundwater.
“On Earth, desert dune fields are periodically flooded by water in areas of fluctuating groundwater, and where lakes, rivers and coasts are found in proximity,” said Bourke. These periodic floods leave tell-tale patterns behind them.” Once the material had been cemented, it hardens and remains behind as the dunes continue to migrate downwind.
Next, Bourke and colleague Prof. Heather Viles, from the University of Oxford, examined close up images of Mars taken with the Mars Reconnaissance Orbiter (MRO) and experienced a flash of insight: “You can imagine our excitement when we scanned satellite images of an area on Mars and saw this same patterned calling card, suggesting that water had been present in the relatively recent past.”
Bourke examined similar arcuate striations exposed on the surface between dunes, indications of fluctuating levels of salty groundwater during a time when dunes were actively migrating down the valley.
So where did the water come from to create the striations in the crater valley? Bourke and Viles propose that water may have been released by the impact that formed Lucaya Crater especially if the target area was rich in ice.
Extreme temperatures during the impact would have vaporized water but also possibly melted other ice to flow for a time as liquid water. Alternatively, the impact may have jump-started hydrothermal activity as hot springs-style underground flows.
Flowing water would have created the valley and saturated the soils there with salty water. In dry periods, erosion from the wind would have picked away the water-eroded sands to create the striking pattern of repeating dunes we see to this day.
Carbonate rocks, which require liquid water to form are dissolved by the same, have been detected in the valley using spectroscopy and could have served as the cement to solidify sands between the moving dunes. That in concert with alternating dry and wet periods would create the striations seen in the MRO photos.
“These findings are hugely significant,” said Bourke. “Firstly, the Martian sand dunes show evidence that water may have been active near Mars’ equator — potentially in the not-too-distant past. And secondly, this location is now a potential geological target for detecting past life forms on the Red Planet, which is important to those involved in selecting sites for future missions.”
By day, Kevin Gill is a software engineer at the Jet Propulsion Laboratory. But on nights and weekends he takes data from spacecraft and turns them into scenes that can transport you directly to the surface of Mars.
Gill is one of many so-called “amateur” image editing enthusiasts that take real, high-resolution data from spacecraft and create views that can make you feel like you are standing on the surface of Mars, or out flying around the Solar System.
Some of the best data around for these purposes come from the HiRISE camera on board the Mars Reconnaissance Orbiter. Data known as Digital Terrain Model (DTM) files, the HiRISE DTMs are made from two or more images of the same area of a region on Mars, taken from different angles. This data isn’t just for making stunning images or amazing movies. For scientists, DTMs are very powerful research tools, used to take measurements such a elevation information and model geological processes.
So, just how do you go from this DTM image from HiRISE:
To this amazing image?
I’m going to let Kevin explain it:
To prep the data, I use Photoshop (to convert the JP2 file to a TIFF), and then standard GIS tools like gdal (Geospatial Data Abstraction Library) to create textures for 3D modeling. Using Autodesk Maya, I input those into a material as a color texture (orthoimagery) or displacement map (the DTM data).
I connect that material to a NURBS plane (sort of like a polygon mesh) that is scaled similarly to the physical properties of the data. I set up a camera at a nice angle (it takes a number of low-resolution test renders to get an angle I like) and let it render.
Then I just pull that render into Photoshop where I have a series of monochromatic color tints which gives the image it’s Martian feel. For the sky, I use either a sky from a MSL MastCam image or one that I took outside with my cell phone. If I’m using a sky I took with my cell phone, I’ll adjust the colors to make it look more like it would on Mars. If the colors in the image are still boring at this point, I may run a HDR adjustment on it in Photoshop.
What all this means is that you can create all these amazing view, plus incredible flyover videos, like this one Kevin put together of Endeavour Crater:
Or you can have some fun and visualize where the Curiosity rover is sitting:
We’ve written about this type of image editing previously, with the work of the people at UnmannedSpaceflight.com and others. Of course, the image editing software keeps improving, along with all the techniques.
Kevin also wanted to point out the work of other image editing enthusiast, Sean Doran.
“Sean’s work is resulting in views similar to mine,” Kevin said via email. “I know he’s using a process very different from mine, but we are thinking along the same lines in what we want out of the end product. His are quite impressive.”
For example, here is a flyover video of the Opportunity rover sitting along the rim of Endeavour Crater: